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CAROL TIGGS' RELATIONSHIP WITH THE DEATH DEFIER



In the stories of Carlos Castaneda, the Death Defier is an ancient sorcerer who hid within the world of dreams to escape death, and for thousands of years he has had contact with the nahuals of Don Juan's lineage to whom he offers greater shamanic abilities in exchange for a portion of their energy.

Castaneda said that the Death Defier took Carol Tiggs from the physical world to another dimension, which he also calls 'The Second Attention', where Carol Tiggs stayed for ten years and then returned to the physical world.

And here I am going to chronologically regroup what Castaneda and his disciples said on this subject.




Castaneda's Declaration in 1991

In 1991 Castaneda visited Tula with a group of people and invited the scientist Jacobo Grinberg, who commented on this trip:

« When we arrived in Tula, Castaneda took us to the central plaza and the church where he had had his encounter with the Death Defier. We entered the church where he had been interviewed by this ancient sorcerer, and it seemed to me the saddest place in the world.

Later Castaneda told us that the Death Defier had merged with the Nagual woman Carol Tiggs and that she contained them both within one. Everyone turned to look at Carol, and she nodded.

“With this woman,” Castaneda said, “I have traveled where no one else can travel.”

We turned once more to look at Carol and she nodded again, saying "yes". »






Castaneda's Declaration in 1993

In 1993, Castaneda's ninth book, 'The Art of Dreaming,' was published, in which he details his encounter with the Death Defier in this church.

At the end of his book, in chapter 13, Castaneda mentions that after talking with the Death Defier, he loses consciousness and when he wakes up, he finds himself in a cemetery with his head in Carol's lap; she tells him that she found him there naked and unconscious.

When Castaneda tells Carol that the Death Defier is a woman, Carol reveals that she already knows this because she has also been communicating with  the Death Defier for a couple of weeks before, when the Death Defier showed her how she actually escaped from her captors (p. 245).

Then they go to the Hotel Catedral where they fall asleep together. When Castaneda wakes up, he is alone, and the hotel reception manager tells him that the American woman who had rented the room just left a moment ago.

Castaneda then walks to Don Juan's house, finding him and his companions in "agony." Castaneda tells him what happened, and Don Juan deduces that the Death Defier "used Carol's energy body in a dark and ominous way... and created the Carol Tiggs of the hotel, a Carol Tiggs of pure intention" (p. 258).

Don Juan then shares the following interpretation: “I think there is no Carol Tiggs anymore. Nor is there any woman in the church [the Death Defier]; both have merged and flown away on the wings of intention, I think, forward” (p. 258).
 
Castaneda asks him, "What do you think happened to Carol Tiggs?"

Don Juan replies: “Carol Tiggs is gone.”

Castaneda asks him: "But where has she gone?"

Don Juan replies: "Wherever the sorcerers of antiquity went. I told you that the gift of the Death Defierwas endless dreaming possibilities" (p.260)






STATEMENTS BY RENATA AND NYEI IN 1995

The workshop which took place on March 14 and 16, 1995, in Los Angeles, was attended by the three main instructors of tensegrity: Renata Murez, Nyei Murez, and Kylie Lundahl.  



During the second night, Renata began by saying she wanted to clarify a point about Carol Tiggs she had been asked about individually after Tuesday’s session. She said she had been asked why they had said there was so much energy available since the return of Carol Tiggs.

Reni explained that Carol is basically the Death Defier, having absorbed the Death Defier’s energy in the ten years she spent in the Second Attention.

She further explained that in recent months the three of them had seen Carol Tiggs in Tula. She took them into a dream while they were all awake, “another example of Carol’s tremendous energy.”

Nyei next elaborated on a previous question about parallel worlds, saying she knew it was a very confusing concept. She explained that the Witches “don’t share subjectivity with us,” so it was difficult for them to describe phenomena that are so much outside our awareness. In Nyei’s words, she said they were “all recently pulled into a weird darkness, at the center of which was Carol Tiggs.”

She described it as “a mysterious, subtle place,” said that “Carol is beautiful, young, funny, delightful, and the most enjoyable person you could imagine,” and claimed what they experienced with her in Tula and again recently was nonetheless “awesome and very hard to describe.”

She said she had known Carol for many years, “but I feel I don’t really know her at all.” Because Carol merged with the Death Defier, they entered into a dream that the Death Defier maintains. The Death Defier “holds the root of another Carol Tiggs of endless mystery and darkness and beauty,” and “if one is willing to suspend judgment something happens that can’t be described.” In the recent experience, she said the three of them all heard a song or tune that pulled them into a “beautiful mystery.”

At that point, in response to a questioner who interrupted to ask who the Death Defier was, Nyei explained the Death Defier’s traditional involvement with don Juan’s lineage and that when Castaneda met with the Death Defier, Castaneda didn’t want the Death Defier’s traditional gift in return for the Nagual’s energy.

As a result, when Carol Tiggs subsequently met with the Death Defier, they merged so that the Death Defier “rides” on Carol Tiggs.

Castaneda also merged with the Death Defier in the period of nine days described at the end of The Art of Dreaming. Carol assertedly merged with the Death Defier for ten years, and when she returned she was “both.” And she’s continuing to “uncover” and to “merge” more since her return.






Castaneda's statement through Carol in 1995

Carol took Cleargreen members on a  "top secret"  guided tour of Tula (it was probably on May 20, 1995).

In her speech, presumably written by Castaneda, she stated: “I was once an M.D. and I am now pursuing my degree in symbolic logic.”

(Cid's note: neither of those two statements is true.)

Using the Cathedral and then the plaza in Tula as backdrops, she tells the group the highly X-rated version of her supposed encounter with the Death Defier in the Cathedral (which involved a lot crotch flashing and fingering as described in detail in the speech).

After they mutually pleasure each other, the Death Defier offers to make Carol a “superpussy.”

In an insult to Nury (Castaneda's adopted daughter) and making the ridiculous claim that Carol’s looks had dramatically changed as a result of the Death Defier encounter, Castaneda has Carol tell the group via the scripted remarks:

“Of course I have to tell you that I didn’t look then as I look today. I looked like Nuri, a twerp. The death defier took my nose, my twiggy body … The death defier was, naturally, the spitting image of that thing in the museum, the one I look like now.”

(Cid's note: this statement is also false since photos taken of Carol when she was a teenager show that she did have curves.)



Castaneda had her take them from the plaza to the hotel where they supposedly spent nine days fucking.

The stage directions Castaneda wrote for her in the speech tell Carol: "Walk them to the hotel, after showing them the two restaurants of the town. Stand at the corner and point to the last two rooms, at the very corner, on the second floor.

Then Castaneda has her tell them: “I as the new creature who wasn’t Carol Tiggs took Carlos there and inspite [sic] of the fact he was my brother I seduced him as if there is no tomorrow. But I wasn’t Carol Tiggs, I was something else. Something bound and determined, cold and yet passionate. When I closed my eyes I could see scenarios that didn’t belong to any experience, strange beings like shadows come to me and examine me. They poked me and turned me around, looking for something unsaid.”

And the sorcery porn story continues like that for a few more paragraphs before shifting to Carol supposedly waking up and trying to track down Castaneda 10 years later.

Castaneda has her conclude with these claims about the Death Defier: “She said that she had been alive for thousands of years not because she was greedy for life but because she loved life and mankind. Her one dream, which had nothing to do with survival, was to help mankind reach a level of reason and intelligence which we do not have. She said that we are ritualistic and repetitious and we have deleriums [sic] of grandeur that have no justification. We are a mess. She said that to evoke her name in Tula would be like a cue to wake her. And that there could be some daring beings who would evoke her name in my presence. By invoking her name in my presence which is her presence, their internal dialogue would stop and they may even catch a glimpse of dreams upon dreams that were woven in this marvelous locale, now occupied by this absurd crummy little town.”

She also invoked the creature’s supposed name and read the Nahuatl poem the Death Defier supposedly gave her.


Carol then led the group to the nearby park and had them gather in a group bordering the grass. She selected Taisha, Florinda, Kylie, Reni, Nyei, Bruce and Tracy, grouping them on the lawn. She stared into their eyes (wearing her black contact lenses), whispered the Death Defier’s name into one ear, and instructed them to fall stiffly into the arms of two helpers.

(This came to be known as Carol giving them “the Eye,” which she did for selected individuals on a number of occasions, including at a workshop the next year.)

Per Amy’s account in Sorcerer’s Apprentice, each of the seven fell back and lay quietly, except Bruce, who went into spasmodic convulsions. After a few minutes, Carol “woke” them with her assistants’ help.






THE STATEMENTS OF FLORINDA AND TAISHA IN 1995

       


From May 26 to 29, 1995, a workshop was held in New York. When a woman asked about the Death Defier and Carol Tiggs, Florinda Donner replied that the Death Defier “is riding Carol Tiggs, so on one level, she is Carol Tiggs.”

In fact, after the Mexico City experience, they said, “we don’t know at this point if she is the Carol Tiggs we have always known. We are trying to bring her back in dreams, which is very difficult when we have to be so present in the world, giving a workshop for four days.”


Taisha answered a question about Carol Tiggs and the Death Defier by saying that Tiggs's merging with the Death Defier was explained in the book 'The Art of Dreaming,' due to the gift of nahual energy that Castaneda bestowed upon the Death Defier. But even now, something has changed.

“Right now we don’t know if there is Carol Tiggs. Every time she takes us in a dream to old Tula, she changes. On this recent trip to Mexico, she changed even more. She is in transition, dreaming again or reorganizing energetic units into something else, we don’t yet know what.”

Carlos and Carol always had the same energy, as Don Juan said, but what the Death Defier caused was a kind of total fusion of this energy.






CAROL'S STATEMENT IN 1995

In the workshop held from  October 6-8, 1995, in the auditorium of Culver City High School, Carol briefly described meeting don Juan again as a young art student, studying in Mexico, her intent being to act as a “cultural bridge” to the Spanish-speaking world.

She then described in detail the fateful day on which she met the Death Defier. As a result of this meeting, she said, “there are three possibilities as to whether Carol Tiggs still exists. The first is that she does, the second is that she doesn’t, and the third is that she has the essence of Carol Tiggs, but also something else.”

She described it as a “hot, bright day.” She mimicked herself lisping. There was a little cut-out door into the church that required one to step over to get inside. As she nervously started to step over (which she demonstrated) a hand reached out and grabbed her by the arm to pull her in.

In an eerie, gravel voice, the Death Defier, whom she couldn’t bring herself to look at, said, “I’m pleased to see you Carol Tiggs. I’ve been watching you a long time.”

Carol found the mention of her name flattering and somehow soothing. The Death Defier told her to look at her, but she couldn’t. But Carol’s energy body felt drawn to her.

The Death Defier told her, “I’m all woman,” and grabbed Carol’s other hand and placed it on her breast. The Death Defier then kissed Carol on the lips, and Carol fell back onto the floor, her long hair disheveled, lisping, in a horrified tone, “But people will see us.”

(Carol explained her horrified reaction by saying that, “at the time, I was a serious heterosexual.”)

The Death Defier responded that no one could see, because “we’re dreaming within a dream.” The Death Defier told Carol that she wanted something from her, and would give her anything in return.

Carol couldn’t answer. The Death Defier said it was not something she could decide for her, that it was totally up to Carol, but that “It would be a great adventure.”

This was the key phrase to convince Carol, who was always looking for adventures. So Carol said “Yes.”

The Death Defier then said, “Let’s change this dream and sit beside the Sea of Awareness.”

Carol said she was excited, envisioning they were going to the beach.

The Death Defier took her back outside through the small doorway. They went from the blackness of the church to the brilliance of the outdoors. It was very bright, and eventually, Carol said, she started getting “some flashes of something. The sea awareness was somehow alive, like I thought God was as a child, and impersonal but somehow personal to each person.”

As a person, she felt “like a speck, but somehow very intimate with this impersonal entity. Then I suddenly felt pain in my left foot. I found myself walking in the streets of Tucson. I saw a newspaper, and the date was ten years later.”
  
Carol claimed she then struggled to become aware of her surroundings, to recover, and to find the money she’d buried per don Juan’s prior instructions.

She then went to find her “brother” Carlos. She calls him her brother “because we have the same configuration of energy.” She found him at the Phoenix Bookstore, where “he talked for an interminably long time as a result of the shock of seeing me.”

Carol described how they had learned that, upon returning from her ten years in the second attention, she had acquired “the sorcerer’s eye.” One evening Carol was looking at Castaneda and his eyes were glassy and the side of his jaw dropped. She was afraid he was having a stroke. She figured she would have to give him an injection, and somehow focused on the stimulation point in the scrotum as the place to do it.

She asked Castaneda if he wanted “the thin needles or the thick needles?” (This was an ongoing joke between them.)

He mumbled, “Why ask? You know you’ll give me the thick anyway.” Then he hit her. She was just thrilled that he was alright.

Then she went home and was looking at herself in the full length mirror in her bedroom. Next thing she knew she started feeling a pain in her leg and head and realized she’d “mesmerized” herself and had been leaning against the mirror for five hours.

In the ensuing days, she found that her left eye had the effect of stopping people. She started practicing and used it at the supermarket, where they wouldn’t charge her. She did it with lots of people, and it had “very disturbing results” with some. All she is doing, she claimed, is “stopping them for a moment. You can come back to that moment and try to extend it, in bits, with Tensegrity.”






SUMMARY

In summary, Castaneda and his disciples claimed that Carol Tiggs also met the Death Defier in this church located in Tula, where the Death Defier revealed to Carol that he was a woman, they had sexual encounters, and afterwards the Death Defier proposed to Carol to take her to the "Sea of ​​Consciousness".

Carol accepted; her stay in this other dimension seemed to her like only a short time, but when she returned to the physical world, ten years had already passed.

Then Carol reunited with Castaneda, and they discovered that Carol and the Death Defier had merged.


And it must be pointed out that this story contradicts what Castaneda had been saying before: that Carol had gone to this other dimension with Don Juan and his sorcerers, not with the Death Defier.






OBSERVATIONS

I don't know if the Death Defier really exists or was another lie invented by Carlos Castaneda, but what I do know is that those ten years that Carol Tiggs supposedly spent in this other dimension, in reality she spent physically continuing with her life in Los Angeles and simply in 1973 she separated from Castaneda, and in 1983 she reunited with him.

This erotic encounter that Carol had with the Death Defier sounds like fantasies invented by Castaneda, who while demanding that his followers be very chaste, was himself tremendously obsessed with sex.

And this claim that Carol Tiggs and the Death Defier merged is very false because it is understood that the Death Defier has great knowledge and abilities about dreaming, but outside of the small group I mentioned above, people who knew Carol Tiggs indicated that she is a very ordinary woman without shamanic knowledge or powers.

And given that in the workshops where she participated she displayed a great deal of charlatanism and fraudulence, I conclude that this assertion must be true.




 







THE LATEST APPEARANCES OF THE NAGUAL WOMAN CAROL TIGGS





Carol Tiggs was the only woman very close to Carlos Castaneda who was known to still be alive after Castaneda died on April 27, 1998 (his other women disappeared and it is suspected that they committed suicide).

After that, Carol made one last appearance at the workshop held from July 31 to August 2, 1998 in Ontario, Canada.






HIS APPEARANCE IN RUSSIA

After the Ontario workshop, 17 years passed with almost nothing being heard from Carol until she finally appeared at a workshop held in Russia in 2015.


Notice

In July 2015, Cleargreen (which is the company Castaneda founded to market  his teachings) announced that Carol Tiggs would participate in a three-day workshop, to be held from September 5 to 7, 2015, in the town of Dederkoi, located on the coast of Sochi, in Russia.

The full title of this event, in which Renata Murez would also participate, was: "Workshop and special event of Tensegrity® and Theater of Infinity® for beginners: threads of our destiny and Intention in our life."

This announcement also hinted that Carol would later visit workshops in Europe, Mexico, and the United States.

Russia was a prominent location for this first appearance, as Cleargreen's followers there have been particularly fervent and devoted, so much so that they have scheduled one or more workshops in this country virtually every year they have organized workshops since 1999.




Their first conversation

Carol gave two talks at this workshop. She began her first appearance with a version of her hypnotic trance induction technique, using the black contact lenses she used for this purpose on several occasions before Castaneda died.

It's a fairly effective technique that she learned from books and videos on hypnotism that ended up for a while in Amy Wallace's garage, and which David Worrell and Richard Jennings had the opportunity to review in 1998.

Since the theme of this workshop was Intention, Carol narrated the story of her first "awakening" of intention after claiming to have spent months in a sanatorium for children afflicted with asthma and other serious ailments.

According to summaries of his talk, this children's sanatorium was more like a concentration camp and even an extermination camp, since most of the children who arrived there did not survive for long.

Carol claimed that she would make friends and form alliances, but then her new friend would get sick and die.

Carol told the crowd that she wanted more than anything to leave this terrible place and that she didn't understand why her father, the race car driver, hadn't come looking for her.

But this ausence was because (unbeknownst to her) her father had suffered an accident and had amnesia, and in the midst of the family drama, she was forgotten and abandoned in this sanatorium.

So Carol ended up there for months until finally fed up with the situation, she finally said, "No!"

The Russian translator shouted, "Nyet!" Carol repeated, "Nyet!" and lowered her hand in front of her. Melodramatically, she declared that this was her awakening to her true self, saying, "Enough! I'm going to change everything!"

She then claimed that it was then that his father suddenly regained his memory, jumped out of bed and asked, "Where is my little chick?" (that was the affectionate nickname he had for her).

So this same day, her father and the whole family went to look for her at this horrible place where they had supposedly left her. And not only that, but the following week, the entire clinic was shut down due to its malpractice.

Carol exclaimed, "No more children died there!" And from then on, Carol claimed she never had another asthma attack!

The crowd was then instructed to stand up and say "Nyet!" to whatever they wanted to change, and Renata joined in, helping to guide the attendees in doing this.




Observations

This is an example of how terrible Carol is at lying because her story makes no sense and is full of falsehoods.

A children's sanatorium in Los Angeles in the late 1950s where children were constantly dying for months without the authorities doing anything?

That doesn't exist in the United States, a country where children are super protected, to the point that you get severely fined just for not stopping your car when a school bus signals that a child is getting on or off.

And that her father forgot about her because he had an accident in a race car competition?

But it turns out that Carol's father was never a race car driver, but a doctor. And besides, Carol's mother also loved her daughter very much; they lived together for many years, so her mother wouldn't have left her forgotten in this sanatorium for months.

Clearly Carol made up this false story to try to elicit pity and have something to "teach" her audience.




Their second talk

In this talk, Carol recounted how she first met the nagual Don Juan Matus.

She recounted that their first encounter was in Mexico City, during a visit to the Art Museum. Carol commented that she was drawn to a painting depicting a caterpillar transforming into a butterfly.

Then an older gentleman appeared behind her and asked her what she thought of the painting. She was an art student and began to repeat what she had learned from her textbooks.

The old man seemed interested in her words, and she felt like the smartest person in the world. The conversation progressed, and she asked her admirer if the painting was about life and death.

The old man was lost in thought, his eyes half-closed, he seemed contemplative, he rocked back and forth, muttered something unintelligible, clicked his lips, opened his eyes again and asked:

   "Excuse me... what was the question?"

She thought the old man was charming and posed no threat, so she repeated the question, and he seemed interested, suggesting that since he was tired, perhaps they could sit down in a nearby cafe to continue the conversation. 

He begged her a couple more times and they finally went. They ordered two sodas and talked about how Carol had come to Mexico; Carol shared much of her personal story. 

Carol realized that Juan Matus knew something more about life and death from the painting of the caterpillar. 

Don Juan brought the straw to his lips, covered his ears with his thumbs, and then blew through the fingers of both hands, making a buzzing sound. He told Carol to do the same until she felt the vibration throughout her body.

Once this was over, Don Juan asked Carol:

    "Tell me now what you think of this painting."

Carol was speechless, and all the knowledge she had acquired from the books she had shown moments before was useless; she only felt vibrations. She looked at Don Juan, whose eyes shone brighter than ever. They both burst into laughter, and Don Juan Matus said to her:

    "I think this is the beginning of a beautiful friendship."



After that story, Carol showed the audience that straw the phonation technique.




Observations

Supposedly, the straw technique was the first body energy technique she had learned from Don Juan, but it turns out that  she had in reality just learned this technique as part of her training in Heather Lyle Vocal Yoga, from which she received her instructor certification on August 15, 2015 (a few days before the Sochi workshop).

Here you can see the group photo of the students, Carol is the woman in the back row with the black t-shirt.



Clearly Carol invented this story about her encounter with Don Juan in Mexican museum to involve this technique with the straw, and thus have another "ancestral technique" to teach the audience.

But the height of the matter is that her story contradicts the one Carol had narrated in the  workshop held in Longmont, Colorado, in 1995, where she recounted that she had first met Don Juan in a public garden called the Alameda.

And those stories in turn contradict the story told by Carlos Castaneda where he said that Carol first met Don Juan in Arizona in 1960 or 1961, when she was working in a government office (but it turns out that at that time Carol was twelve or thirteen years old!).

And this assertions shows you the extent to which Castaneda and his disciples did not care about being consistent with the lies they invented .




Carol declined to answer questions

The attendees had placed a box where the public could put slips of paper with their questions, but Carol did not want to answer them, nor reveal what she had done during all these years of absence, and if she had learned anything about the missing women after so many years.

Carol had previously only said that they were "traveling"... and didn't want to say anything more about it.






APPEARANCE IN MEXICO

On April 16 and 17, 2016, Cleargreen announced that Carol would be attending a workshop in Mérida, Mexico, and apparently she did, but I haven't found any notes or summaries online.






NO MORE APPEARANCES IN WORKSHOPS

The other appearances that had been announced never materialized, possibly because Cleargreen's workshops are becoming increasingly scarce.






 WHY DID CAROL REAPPEAR?

We don't know, I suspect it was because she needed money.





CAROL WILL NOT REappear.

Carol was born in 1947, so she is already very old and it is almost certain that her appearance in 2016 was her last.



(Note: these information was compiled by SustainedAction.org)












THE NON-EXISTENT BROTHER THAT CHARLES LEADBEATER INVENTED






The first time Leadbeater mentioned having a brother

The first time Charles Webster Leadbeater (CWL) claimed to have a brother was when he resided in Ceylon (between 1886 and 1889) where he met a boy named Curuppumullage Jinarajadasa.


(Detail of the group photo taken at the meeting between the Buddhists of Ceylon and Colonel Olcott in 1889; standing in the middle is Leadbeater and the boy next to him is Jiranarajadasa.)


Leadbeater told that Jinarajadasa was the reincarnation of his brother Gerald, who had died as a child in Brazil in 1862. And that is why Leadbeater took Jinarajadasa with him when he returned to London in 1889.

Jinarajadasa narrated the following about this matter:

« When C.W.L. went to Ceylon, his Master told him that he would there find his brother Gerald, who had been killed in Brazil in 1862 under dramatic circumstances. He has narrated the story of that period of his life with his brother in Brazil in his book, 'The Perfume of Egypt', and the story is called “Saved by a Ghost”.

The Master did not tell him who his brother was in this incarnation, except that he was in Ceylon. C.W.L. therefore was on the look out for this brother.

I was not in the first group of boys round him, though towards the end I did join one of the carol parties. But there were several other boys who took part with enthusiasm in his many schemes, my brother being one of them.

I think he must have “tried out” several of the boys to see which was his brother. Finally, in various ways, he found that I must be the brother. I had joined the School in 1886, and so he knew me.

On my side, there was no special emotional recognition of an old link, as has happened to me often with regard to many persons; but on the other hand, there was an intuitive understanding of him and of his work, and a full co-operation.

I think he must have been quite sure that I was his brother after a certain incident. This was when, after an afternoon’s walk, he explained to me a little about the work of the Masters, and described briefly the characteristics of the Masters M. and K.H. He then asked me if I cared to be one of Their disciples, and of which Master.

After a few moments’ thinking I replied that the Master K.H. attracted me….I left with C.W.L. for England in November, 1889.

The chief events of my subsequent life are known to most of my friends. He had by this time told me that I had in my last incarnation been his brother Gerald Leadbeater.

Once he mentioned casually that one of my habits as Gerald was to get under the dining-room table and there sit singing some of the hymns I learnt about Jerusalem the Golden, and similar attractive hymns about Heaven.

I have often thought of this characteristic of Gerald, because it is now pronounced in me, for all the Theosophical knowledge concerning the Heaven World is always vivid in my mind.

Indeed, sometimes I think that I am the only Theosophist who really has any real belief in Devachan. Years afterwards I found a book of verses of my then mother, with poems to Gerald. »

("Occult Investigations. A Description of the Work of Annie Besant and Charles Leadbeater", by C.Jinarajadasa, Theosophical Publishing House, Adyar, 1938, pp. 116-117, 123.)






The adventures of Leadbeater and his family in Brazil

Leadbeater claimed that he and his family (his father, his mother, and his younger brother, Gerald) were in Brazil between 1858 and 1862.

Leadbeater's account of his alleged stay in Brazil is found in the text "Saved by a Ghost. A True Story of an Adventure in Brazil, near Bahia, 1861-1862," initially published in 1911 in the magazine 'The Theosophist'.

Later this same year was edited and annotated by Jinarajadasa with the title "Saved by a Ghost. A True Record of Adventure in Brazil, Near Bahia, 1861-1862, of Charles Leadbeater (Senior), Charles Webster Leadbeater, and Gerald Leadbeater," and included in Leadbeater's collection of stories in his book 'The Perfume of Egypt' (1911).

Presumably, if it was not a true story, Leadbeater had the opportunity to correct it, or at least to prevent the publication of the second edition (1912).

The published account can be supplemented by the notes that Jinarajadasa and AJ Hamerster left in the archives of the Theosophical Society in Adyar.

Jinarajadasa also later conducted investigations in Brazil to try to confirm the details, but obtained no results.

AJ Hamerster's biographical notes, corrected by Leadbeater (who wrote to Hamerster acknowledging the veracity of his account), record that the family was in Brazil from approximately 1858 to 1862.

A "Memorandum for a Biography of CWL," written by Jinarajadasa based on information provided by Leadbeater, states that the family traveled to Brazil in 1858 and returned to London in 1862.






DID LITTLE BROTHER GERALD REALLY EXIST?

In his account, Leadbeater stated that his family was in Brazil between 1858 and 1862, and that Gerald was seven years younger than him. Leadbeater also claimed that Gerald was killed by rebels in Brazil in 1862.

But there is no historical evidence of the existence of this brother.

There is no record that Charles and Emma Leadbeater had any other children besides Charles Webster Leadbeater.

Nor are there any records of another person whose parents were named Charles and Emma Leadbeater.

None of the major international genealogy search engines yield any results for "Gerald Leadbeater".

There is no birth record in the United Kingdom for the period 1850-1860 for any child named Gerald Leadbeater.

Nor is there any record in British death records of British citizens abroad of any person with the surname Leadbeater, much less Gerald Leadbeater, although there were already death records of British citizens in Brazil for the period 1858-1862.

No British press reports have been found recording the murder of a British child in Brazil between 1860 and 1870, and it is inconceivable that the brutal murder (as described by Leadbeater) of a British child in Brazil at the hands of rebels went completely unnoticed.

The hagiographic website published by Pedro Oliveira has published claims that the Leadbeater family traveled to Brazil:

http://www.cwlworld.info/CWL_in_Brazil.pdf http://www.cwlworld.info/From_Southampton_to_Bahia_and_Back_Again.pdf

And he states:

« Certificates issued by the Public Archive in Bahia, dated 2 February 2007, attest the arrival of Charles Leadbeater, his wife and one young son on board of the steamship “Tamar” 30 May 1858, from Southampton in England, and their departure on board of the steamship “Tyneon” 13 June 1859, bound for Southampton. Both Certificates were issued based on the contents of Passenger Lists of that period. »

The passenger list published by Pedro Oliveira shows that a man named Charles Leadbeater, his wife and son arrived in Salvador, Brazil, on May 30, 1858, from England, but this document indicates that only one child accompanied the two adults.



And the British census of 1861, presented on Sunday, April 7 of this year, shows Leadbeater and his parents back in England, registering them as tenants in the house of Mr. William Henry Allen, being a railway employee, in Brompton, London.

There is no record of Gerald Leadbeater in the British censuses of 1851 or 1861, and the 1861 census declaration filed by Leadbeater's father lists only one son: Charles Webster Leadbeater.




Resolution

Unless it is claimed that Leadbeater's father took his family to Brazil in 1858, then returned to London the following year with his family, stayed there until at least the census that was carried out on April 7, 1861, and then returned to Brazil to live the adventure that Leadbeater recounted in his book, and where Gerald –who does not appear in any record– was murdered (in 1862 according to Leadbeater and Jinarajadasa), so that the family then returned to London again, so that finally the father died a few days later on June 17, 1862 of tuberculosis; the facts do not add up.

And to consider this chronology true is as outlandish as considering the story that Leadbeater told about his fictitious brother in Brazil to be true, because even assuming that Gerald had been a very precocious child, the behavior that Leadbeater describes is not tangible.

According to Leadbeater: he, his father (without his mother), and Gerald traveled to the jungle. Gerald always carried a revolver. During one attack, he shot at least two Indigenous people and wounded another.

When Leadbeater, his father, and Gerald were captured by the rebel general Martinez, Gerald was ordered to trample a cross, but he refused, saying, "I won't. You are a very wicked man." Then Martinez killed him with his sword.

If we consider the false birthdate Leadbeater invented (1847), Gerald would have been around five years old at the time. Which is grotesque!

And if we consider Leadbeater's true birth date (1854), Gerard would have been around two years old at that time. Which is absurd!

And it also makes no sense that Leadbeater's father made all those journeys when he was already seriously ill with tuberculosis.





CONCLUSION

Brother Gerald was another lie invented by Charles Leadbeater.