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CAN WE REINCARNATE ON OTHER PLANETS?




Several instructors mention that humans who reincarnate on Earth have also reincarnated on other planets in the universe in previous lives, and will do so again in future lives. They also state that Earth is just one of many possible destinations for reincarnation.

For example, Omraam Mikhael Aivanhov, in the lecture he gave on March 6, 1966, commented on this topic:


« The same souls do not always come to reincarnate on Earth, and it may happen that they return to the planet often throughout the millennia, but it does not necessarily have to be so, because Earth is not the only place where creatures can practice and develop.

Throughout the Universe there are other worlds where creatures are also instructed.

Thus, in the same way that beings from other planets come to Earth to carry out certain missions and leave after having completed them, in the same way terrestrial beings leave Earth to go to other planets.

And the Lords of Karma, the twenty-four Elders, are the ones who direct this movement of souls. »




But the highest instructors I have encountered point out that this is not true.

They say that it is true that there are other humanities evolving on other planets, although most of those humanities (and the other kingdoms of nature: animal, vegetable, etc.) are on subtle planes, and only on a small percentage of planets are they evolving on the physical plane.

However, although the physical conditions on other planets may be very similar to the physical conditions on Earth, there are also more subtle differences that are important to consider.

Master Pasteur revealed the following on this matter:

« Every humanity in the Universe is different, not necessarily in appearance, or in the number of chakras, but in its energetic type, in the energetic exchanges that the chakras have with each other, in the energetic exchanges that the molecules carry out with each other and in all the vibratory notes that the aura exchanges with the soul.

This difference is even greater with beings from other star systems. It's similar to a blood transfusion: the more different the blood type is from the patient's, the more their body will reject it.

Why these differences?

Because they are part of diversity, it's like a piano: if all the notes sounded the same, no music could be made. The same is true in the Cosmos: if all beings vibrated the same way, nothing could be created. Each cosmic family has a specificity that contributes to the great symphony that is the Universe. »
(Conference of 11.21.87)



So even if the physical conditions of other planets in the universe are suitable for Earth humans, the way energy is handled on these other planets will be different.

And consequently, Earth humans would not be able to survive for long on these other planets because their subtle bodies (pranic, astral, etc.) would begin to malfunction and that would eventually affect their physical body as well.


But Master Kuthumi also explained that the development of humanity on Earth is closely connected to our planet  (see link). 

To the point that, esoterically, it can be said that humans and other beings living on this planet are like embryos growing inside the great womb of Mother Earth.

And only when we reach the end of the seven-round development cycle will we earthly humans have become divine humans, and then we will be able to exist on other planets for a long time because then we will have the ability to control the energies that are handled on these other planets, although by then we will have transcended reincarnation long ago.







CONCLUSION

For the reasons I have just explained, Earth humans cannot reincarnate on other planets, and neither can extraterrestrial humans who are evolving on other planets reincarnate on Earth; although there may be some exceptions, but that is not the usual case.







MARCO ANTONIO KARAM RECOUNTS HIS EXPERIENCES WITH CARLOS CASTANEDA

 



Marco Antonio Karam, commonly known as Lama Tony Karam, is a prominent figure in the promotion of Tibetan Buddhist culture and spirituality in Mexico, since in 1989 he founded the organization Casa Tibet México and has directed it ever since.

Karam met Carlos Castaneda around 1982, they became friends, and below I will compile what Karam recounted about his relationship with Castaneda.




HOW DID THEY MEET?

Regarding their first meeting, in an interview with Karam, he commented the following:

« I had the opportunity to meet Carlos Castaneda for the first time in the early 1980s, and it was when Castaneda came to Mexico to present one of his greatest works, 'The Eagle's Gift.'

(Cid's note: this book was published in Spanish in 1982.)

Somehow, and for many years, Castaneda had managed to disappear from public life.

Of course, the auditorium was packed to the brim; some 500 people were waiting to meet the legendary writer, but time passed and he didn't appear.

The presenter went up on stage and said that Castaneda had had some kind of impediment and that they had decided to cancel the presentation.

Then everyone felt very disappointed and little by little they all drifted away from the auditorium, but there was a small, tight-knit group of people, maybe 10 or 12, who decided to stay. And I was among them. We had a kind of inner certainty that Castaneda would appear.

And then, after about four or five hours, to our amazement, Carlos came out and gave the presentation of his book.

And later, when we asked him why he had arrived so late, he said that an important event had occurred just as he was about to go on stage. He had seen something on that stage, an auspicious event, an anomaly from the perspective of the sorcerers.  And that made him decide not to give that presentation and wait to see if a second sign would confirm it.

And that second sign manifested itself when that group waited so long for him. »







SUMMARY OF THEIR RELATIONSHIP

Journalist Geoffrey Gray interviewed Karam about his friendship with Castaneda, and he transcribed their conversation in chapter 11 of his article 'The Case of the Missing Chacmools,' which you can read at this link. 

Castaneda referred to his last personal disciples as "chacmools" (and other women among his disciples were witches and explorers), and  below I present the main part of that conversation:


« Karam was a spiritual prodigy since he read Buddhist texts from adolescence, then he was given a copy of 'The Teachings of Don Juan' and he was astonished by the similarities between the ancestral indigenous Mexican traditions and those of Buddhism.

"It was comforting," Karam says, "to discover that many of the Eastern teachings I believed in also had their roots in my native Mexico."

(Cid's note: In some aspects Buddhism and the teachings of Don Juan are similar, but in others they are radically opposed; for example, Castaneda says that reincarnation is a completely false belief.)



His first encounter with Castaneda

Karam met Castaneda under curious circumstances; at the time he was not sure if Castaneda was a real person considering all the questions that were raised about his books.

"Imagine my surprise," Karam says, laughing as he recalls hearing an announcement that Castañeda would come out of hiding to give a lecture at UNAM, Mexico's largest university.

"There was great anticipation and the auditorium was completely packed," Karam recalls, "but Castañeda was going to be late, the organizer said, because he was stuck in traffic. An hour passed, then another hour, most people left and the cleaning crew came to fold up the seats.  By then, with only a dozen die-hard fans, Castañeda suddenly emerged from behind the curtains and gave an incredible lecture."

Afterwards, Castaneda stayed to talk with the small group, and before leaving he invited Karam to visit him at his compound in Los Angeles.




Castaneda wants Karam to be his successor.

"Being with him was addictive," Karam says, "you couldn't distance yourself from him, so soon the visits became regular and continued for several years.

Castañeda began preparing Karam to succeed him as the spiritual leader of his group.

Their time together usually followed a routine:  Castañeda and some of his women would pick up Karam at the airport and drop him off at a hotel near the resort. There, Karam would wait in his room until he received a phone call from Castañeda.

"He would pick me up at odd hours," Karam says, "and tell me all sorts of stories. He had an incredible ability to generate an exalted state of consciousness in you simply with his narratives, with his way of speaking; he hypnotized you in many ways."

They often drove to the beach, or booked a table at a restaurant or cafe, or simply went for a walk.

"He would pick me up at 4 in the afternoon and we would finish talking at 3 or 4 in the morning," Karam says.




Karam confirmed how manipulative  Castaneda was

Within the complex, Karam witnessed the tensions and power struggles that existed among Castaneda's women.

"It was like a game of musical chairs where everyone was fighting to be the favorite at that moment and capture his interest," Karam tells me, "it was all planned, Castaneda manipulated everyone to compete with each other, he was very brilliant at it like all cult leaders. And despite that constant atmosphere of conflict, they were so loyal to Castaneda that they often talked about committing suicide together when he died."

Karam recalls that Regina Thal (better known as Florinda Donner) had a pilot's license and she constantly said that when Castaneda left, if they couldn't follow him to infinity then she would fly to Hawaii to crash into a volcano.




Carol Tiggs



The arrival of Kathleen Pohlman (better known as Carol Tiggs) changed the dynamics of the group.

When Castaneda named her his spiritual counterpart, the female nagual, there were negative reactions from the other witches, who argued that Kathleen didn't have the shamanic training or the time they had spent with Castaneda to be their leader. She lacked authority. "They didn't believe in Kathleen," Karam told me.

However, as part of his initiation into the cult's inner circle,  Karam  revealed to me that Castaneda ordered him to have sexual relations with Kathleen (whom Castaneda had married). Castaneda presented this to Karam as an honor befitting his designated successor.

Karam recalls staying in a hotel with Kathleen during his trips to Mexico City; they were simply two disciples following their master's orders.

Castañeda told Karam and Kathleen that making love was a ritualistic exercise that united energies and sought to align the spiritual genes of their group.

"It wasn't passionate," Karam says of those sexual encounters, "it was something mechanical that simply had to be done to achieve that supposed connection."

He recalls that Kathleen remained indifferent and impassive in the face of that order. "They simply told her she had to do it, and she did it," he tells me.




Karam is disillusioned with Castaneda

Karam says that little by little he became aware of Castaneda's falsehoods, "he had invented so many different things that were not real," he tells me, "and he maintained them as if they were true."

"Castañeda was also very abusive; he didn't hit anyone or become physically violent, but he psychologically manipulated people," Karam says, "he made them break their family ties, he made them hurt their loved ones."

"Sleeping with the witches was also a way of controlling them; that sexual and predatory attitude that Castaneda had towards all of them was not a sign of a spiritually developed person," says Karam, "over the years I saw how manipulative he had become and I began to realize that there was something wrong with his lineage, something that was missing, something that had gone astray."




His last meeting with Castaneda

Karam remembers the last time he saw his mentor; it was one day in Mexico City where they stopped for lunch at a Sanborns, a chain of cafe-style restaurants located next to department stores throughout Mexico.

Castañeda felt that this particular place in the historic center of Mexico City was special because he believed that the restaurant known as "Casa de los azulejos" had been built on top of an Aztec temple and was therefore imbued with centuries of ancient powers.

The dining room was immaculate with imposing walls covered in large murals and framed by ornate gilded borders that reflected the brilliance of the chandeliers.

Castañeda had a plan; he had been waiting for this lunch for years and told Karam that he wanted him to become the new nagual, offering the young man the opportunity to succeed him as the new leader of the warriors and their followers, who, adding the people who attended the workshops, numbered in the thousands.

The offer seemed irresistible at first glance; Castaneda was rich, Karam would never have to worry about his livelihood again, and there were also Castaneda's women who would take care of him.

"This is the moment to make a decision," Castañeda said. He was getting old and needed a successor, and he didn't have much time to put his plans into action. But Karam, disappointed by what he had seen, refused.

"Then I can't spend any more time with you," Castaneda said, and his mood changed, his tone became sharp and his voice filled with anger, saying, "I have wasted a lot of time with you preparing you and now I will not have an heir, our lineage is coming to an end at this moment."

Castaneda left in a rage and they never spoke again.

"In the end, everything fell apart," says Karam, "without a capable leader to replace Castaneda, the burden fell on Kathleen," who according to Karam was not prepared for that position.


Before ending the conversation, I asked Karam to help me determine what had happened to the missing women. He knew them all well and was familiar with their personal quirks and the cult's business operations, since he had been personally chosen to lead it.

He thinks for a moment and then explains that the disappearance of those women had nothing to do with those mystical ideas of "the search for infinity" or "the search for a shamanic lineage"; he believes there were other motives at play, and finally he answers me: "Follow the money trail." »


Cid's note: In this case, I believe that the disappearance of these five disciples of Carlos Castaneda after his death was not due to financial issues, but rather because Castaneda had controlled them so much that when they lost their guru, they didn't know how to go on in the world, and therefore they chose to take their own lives. This shows you the extent to which Castaneda was a perverse and controlling man.







THE POSITIVE AND NEGATIVE SIDES OF CASTANEDA

In another interview with  Marco Antonio Karam, regarding Castaneda's dual personality, he mentioned the following: 

« I believe that in the case of Carlos Castaneda, he was a complex and difficult person to define because on the one hand he was a person endowed with an exceptional culture, he was a very intellectually refined man, he had even obtained a doctorate in anthropology from the University of California.

He was also a man with artistic skills, a man endowed with exceptional charisma, an incredible and extraordinary ability to communicate, and I believe he undoubtedly possessed certain extraordinary qualities.

But it is also true that he was a man very interested in power, very interested in control, obsessed with controlling people (particularly his female disciples), and also very obsessed with sex, always trying to manipulate the attractive women he met into having sex with them.

So in the case of Carlos Castaneda  as also happens with many sectarian leaders  genuine and exceptional qualities coexisted with, let's say, a kind of fracture in his very worldly and very ordinary personality, and to a certain extent very negative.

And I think those two elements never quite managed to reconcile themselves with him or with his world either.


The interviewer comments:

I believe Jacobo Grinberg said somewhere that Carlos Castaneda was an egomaniacal being, more interested in power than in truth.


To which Karam replies:

I agree, and I also believe that Carlos Castaneda was an individual very obsessed with control, with power, with influence within his group. »








VIDEOS

 You can see the first interview in this video starting at minute 5:35.





 

And  you can see the third interview in this other video starting at minute 5:35.









OBSERVATIONS

When I analyze the life of Marco Antonio Karam, I get the impression that he is an honest man, and other people have given similar testimonies about Carlos Castaneda, so I conclude that what Karam said about Castaneda must be true.

And another factor that supports Karam's assertion is that Carlos Castaneda gave several lectures at Casa Tibet Mexico, something very unusual for Castaneda.







CARLOS CASTANEDA DESCRIBED BY HIS FRIEND JOSÉ AGUSTÍN

 





José Agustín Ramírez Gómez (1944-2024) was a Mexican writer who met Carlos Castaneda in 1972 through the playwright and translator Juan Tovar, who translated Castaneda's first four books into Spanish.

Castaneda and José Agustín became friends.

José Agustín, in addition to reviewing Castaneda's work, also translated some of his books into Spanish, such as "The Eagle's Gift".


In 2004, host José Gordon interviewed José Agustín, who recounted his experiences with Castaneda.

You can see this interview in those two videos:


Part One
(minutes 3:10 to 10:30)



 


Second
(minutes 1:10 to 9:20)


 


I also transcribed them and added images to illustrate the conversation:



Gordon: We are in Chalcatzingo, in the State of Morelos, in a place that could practically look like a cover of Carlos Castaneda's books.

José Agustín, we would like to talk to you about the encounters you had with Carlos Castaneda right here on this site.



Agustín: Well, yes, look, he knew Mexico remarkably well, although in his books his favorite areas are: first Sonora and Arizona, and then Oaxaca. But in reality, it's clear that he knew the entire country very well, and the area around Mexico City, specifically the state of Morelos, was very dear to him. So he loved Tepoztlán, he loved the Xochicalco area, the Cuautla area, but very specifically Chalcatzingo here. 

So, on occasions when he was in Mexico and wanted to see me, he would call me and say, "Hey, I'll be around your area." Sometimes he would come to my house, but other times we would arrange to meet right here.



Gordon: You meet Carlos Castaneda and have the opportunity to directly explore certain knowledge that is perhaps hinted at in his books. Tell us a little about that world you were exploring in your conversation. 



Agustín: Precisely because of Don Juan's ideas, Castaneda specialized in being conspicuous, so he said that he had to wear a little suit like any executive with his briefcase, not even very elegant. 

But you would sit down to eat with him and then, for example, you would see that he ate fruit in a particular way; he would take certain parts out of the papaya, place them as if with a certain ritual, and eat some parts.

I asked him several times, "Why are you doing that?" and he always dismissed me as crazy and acted as if he couldn't hear me and didn't want to answer those things.


Then another day he was staying at a hotel in the Zona Rosa, so Jorge Ponce and I went to pick him up, and he greeted us in a t-shirt. I had always seen him fully dressed, but that time he was wearing a t-shirt like the one Marlon Brando wore in the movie "A Streetcar Named Desire."


And I was very surprised because Carlos Castaneda was incredibly strong, he looked like he lifted weights, he had truly tremendous musculature. I told him: "Hey Carlos, it's unbelievable, but you look like a bodybuilder, you're incredibly strong."

He replies: "Well, yes, Don Juan forces you to develop your physical condition; if you had known me 20 years ago, back then I was an intellectual hippie like any other, but with Don Juan's training my body became like this."

And then he said to me, "Look, I'm going to show you something else." Then he lifted his pants and in that area here [below the knee] he had like another muscle that had appeared, a lump, and he said to me, "Touch it."

And I touched it and it was rock hard. And then he tells me, "This muscle only develops when you practice the famous power step," which consists of trusting in Don Juan's powers and running at night, almost raising your legs as high as possible to your chest. Then the warriors run at full speed in absolute darkness, and something guides them so they don't fall into any gaps, they don't hit any rocks, they don't get caught on branches, etc.



Gordon: We're talking about those walks potentially having taken place at this site. 



Agustín: It's very feasible, of course, perfectly fine. 



Gordon: What distance did you find between what you assume a character is, when you're reading it, what you assume the creator is, and when you finally meet the real man, the person who created those books? 



Agustín: It was more of a character sketch I had of him. I never imagined what he looked like physically, and then when I saw him in person, I thought, "Well, yes, this is Carlos Castaneda; he corresponds very well to what I assumed he would never be." 

He was relatively short in stature, he liked to wear suits that made him look like an ordinary person, he had brown skin, a light brown, and his hair was completely curly and very short.



Years later, I ran into him once in the United States and he said to me: "You won't recognize me because  the nagual  gave me a beating."

I said to him, "So, how are you?"

He tells me: "Well, you'll see," and in reality he was the same as always, the only difference was that his hair had turned completely gray, it had become a little stranger because it was all white, like pure dullness because since he was dark-skinned, the white hair made him look like that; and then his face was rather square with features that tended towards the square, his eyes were small, very lively, with an intelligence and a sparkling quality that I have only seen in Juan José Arreola, like a mix of mischief and hidden intelligence that doesn't want to show itself, but is there behind it and cannot avoid manifesting itself.

His nose is straight, neither too big nor too small; his mouth is also of average size. He had no fat, no marks, no wrinkles, at least not when we met him, and even later, when he was older and his hair was gray, he still didn't have many wrinkles.




Gordon: One controversial point we must address is: who was Carlos Castaneda? Some, such as Juan Tovar, considered Castaneda to be more of a creator of fantastic literature than an anthropologist. 



Agustín: Well, it's understandable, he was such a good writer that I myself have said that reading Carlos Castaneda's books is a bit like reading Mexican or shamanic " One Thousand and One Nights ". 

But I do believe he was an anthropologist, a very good anthropologist indeed, with his doctorate, with all the recognition due and yet to come, and that's why he initially gained academic prestige.

Initially, all the great minds interested in the subject of hallucinogens, such as Richard Evans Schultes, Roger Ham from Paris, Roger Wasson the great mycologist and his wife Valentina, or Peter Furts, the author of the book "Hallucinogens and Culture," all gave him their full support and were fascinated by Castaneda's work.

Because if you recall, in his first book, very cleverly after the narrative part that he called a sui generis autobiography , he ends it with a structural anthropological study that is the most arid in the field of anthropological expression.

The academic world liked him a lot and greatly boosted his popularity among that public, but afterwards, as a result of some letters that Roger Watson sent him and which Charles did not answer, his prestige among the intellectual elite gradually declined.

Octavio Paz withdrew his support,  Evans Schultes  also withdrew his support, and then some relegated him to the realm of charlatanism, in the style of Lobsang Rampa, or of people who are profiting from the spirit.

But many more people saw him as a writer because he had an incredible narrative talent, a gift for storytelling, and literary skill. Translating his work reveals how his books are constructed, and they are masterfully crafted.

But I've always said that it can't be merely made up, because if it is, then we're dealing with one of the most incredibly imaginative minds in the world, who also has the discipline to physically support all the fantasies he's inventing. Having particularly well-developed muscles, being incredibly strong—evidently, the man was working with his body to support a supposedly shamanic fallacy or a mere fiction.

So I've always said that what terrifies me most is the idea that he's a writer who invented all that, because it seems to me a work of monumental scope in the field of literature, one of the finest and most ingenious literary games ever written, and so as a writer he has an incredible stature.

That's why I prefer him to be an anthropologist, I prefer that Don Juan existed, because it seems more normal and more accessible to me.

So I believe that in what he says, there is at least 60 to 70% reality with 30% personal embellishment.



Gordon: Augustine, tell us about the paradox of the public man who is also an unknown person. 



Agustín: Castaneda specialized in appearing when you least expected him, like when Juan Tovar suddenly stood up to greet Castaneda, even though Tovar was still eating with his spoon in one hand and his beer in the other. 

Suddenly someone would knock on the door, and it would be Castaneda, when you least expected it. He would arrive unexpectedly, we would chat, or go somewhere, anything at all. Then everything was subject to him. That was part of his fundamental strategy: to be completely free.

He was what he called "a rider of absolute freedom," and to ride well towards freedom you need to protect yourself in a thousand ways, and one of them was that nobody knew anything about you, that they didn't know your story, that they had no expectations of you.

And Castaneda achieved that wonderfully; he managed to get people to respect his privacy because he was in countless places with so many people. I could have taken out my camera without him noticing and taken pictures of him, but it never crossed my mind to do that; he was respected.

And that allowed him to do wonderful things, for example, I had the opportunity to present his book "The Gift of the Eagle" at the University Club. The place was packed with people from the esoteric world; his new followers were from the Ferrier group, who had split off because of The Teachings of Don Juan, and everyone was gathered there.

I was speaking after other presenters had spoken, and suddenly I see Carlos Castaneda in the doorway making faces at me and greeting me.

Only someone like Castaneda can be in a place where people are talking about him, where everyone would like to meet him, and he is there and nobody knows he is there, nobody knows it is him.

Then I got down from the table to hug him and chat with him for a while, and perhaps with that someone realized that the real Castaneda was there.



Gordon: We're talking about that need or desire we all sometimes have to disappear, to vanish into anonymity. How do you relate that to the whole life of this project, which involves being so publicly visible, as you are through your books, while at the same time trying to go unnoticed? 



Agustín: That is his great achievement, because if we talk about celebrities, Carlos Castaneda's has been one of the most extraordinary of the end of the millennium since he was a man who sold millions of books. 

Personally, people from Europe and Asia have come to me just to see if I could put them in touch with him. Now imagine how many people on their own set out to meet him personally; there must have been thousands.

But nobody knew where he was, nobody knew what he looked like, nobody could locate him if he didn't want to be located; and at the same time he could afford to go to Mexico, Europe or the United States and give great lectures to hundreds or even thousands of people.

He liked to spread ideas, he had a prodigious ability to communicate, a great facility with words, great wit, and he was very funny, he had you laughing your head off all the time.

So that was something he liked to cultivate; he couldn't live in complete anonymity. But at the same time that he was in the world's brightest spotlight, he was also shrouded in absolute mystery.

Nobody could reach him for half an hour; he'd disappear, and there was no way to find him. So that was a wonderful achievement in his life, and if you don't know how important it is at times to manage to stay out of people's expectations, because people think they know you and have a false idea of ​​you, and based on that false idea, they demand things, they expect things from you.

And if you don't comply with them, or if you comply with them in any way, you're not doing what you're supposed to do, you're doing what others think you're supposed to do.

So the only way to do what is truly your responsibility, he said, is by creating a fog around your identity.



Gordon: José Agustín, we thank you very much for this spoken portrait of that fog called Carlos Castaneda. 






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